Outsider Art / Another Music from a Different Kitchen

 

Its been several weeks now since the event known as The European Outsider Art  has passed by .  I was hoping to get this final part to the weekend out much earlier but basically other stuff got in the way including losing 2 drafts due apparently to a lost wifi connection or some such technical compatibility  hitch . The final day of the conference was pretty amazing and my original intention was to give each individual event  their due credit. Experiencing at day first hand is very different from describing each event as it happened in chronological order , the term being bogged down in detail springs to mind here . So rather than that, this is a brief summary of what for me felt like one of those turning points where you come away feeling inspired , elevated and sufficiently grounded at the same time .

Association Conference Sunday: The place:  Pallant House Gallery, Chichester: The event: European Outsider Art Association Conference, The weather: Sunny

Day 2: Morning , Back in a gallery room , chairs set out  in rows  awaiting the mornings speakers  .. Yesterday’s faces are just that little more familiar, more chit chat, the pictures on the wall are becoming familiar too.  I am drawn to one painting in particular by Martin Andrews titled The Estuary, it’s a space of transition where one thing merges with another.  River, sea, sand, mud – all shifting  boundaries,  the painting itself seems to  ebbs and flow too between the  real and abstract. Specks of people, Lilliputian in scale, stand at the edge of  what could be mistaken for the belly of a half sunken torso  (quicksand indeed) some of these figures stand fishing for something whilst a pair of singular boatmen await in their vessels to take passengers across the river what is the River Thames or but to my mind it could just as easily be the river Styx.

 

Andrews, Michael, 1928-1995; Thames Painting: The Estuary (Mouth of the Thames)

Martin A  The Esturay  / Pallant House

The boundaries between ” Fine Art” , “Outsider Art ” and “Community  Arts” also merge and overlap at the edges , which provides an interesting place for thought and debate but also a place where you can get caught in up the minutiae and is often best avoided.  Meanwhile back in the room, on terra firma, proceedings begin with talks by Marc Steen and Thomas Roesk – recapping and reminding us of the quiet evolution that is taking place.  In the big scheme of things it’s only art we are talking about here  but I love it and besides it’s not just “art”  it’s about something else,  something that art does, it’s about people, desires and visions and how we relate and communicate with each other, it’s a beautiful and amazing  language. It’s about Knowledge and understanding, you know- important stuff .

So feeling a little enlightened, it’s time for a breakout session , My choice is Manchester based Venture Arts. I hear northern voices, the voice of the artist with accents and words such as chuck, aye and lass …beautiful words full of warmth and tenderness which are  often extracted from the cutting edge world of Art Practice and The Creative Arts Industry  (whatever that means .

Barry Anthony Finan  and Rosanne Roberson sit in chairs facing each other, their profiles before us almost silhouetted by the lit screen behind them . Shifting images of  shapes hand written words, text , in pen or felt tip pen in sky blues and pinks and numerous other colours . Barry picks up a microphone and quietly reads from a script , its very quiet , we have to listen focus our attention , we the audience have to put some effort in. Out of the whispering words a dialogue is emerging between Barry and Rosanne  and we get drawn into it , partaking in something intimate but not intrusively. I don’t know if its art or performance or theatre  and it doesn’t matter, what matters is being there in the moment , feeling .

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Barry Anthony  Finan  & Rosanne Roberson

After there is a feedback session followed by a presentation by Amamda Sutton , some amazing work from comic book graphics to inclusion in contemporary art fairs  and then before we know it a break

After the break, back up to the gallery room and a series of Artist presentations . Five in all, each one wonderful ( we the audience  are filled with wonder )  Drew fox retells his incredible journey , how one day whilst out on the beach with his two children he has a heart attack and DIES! While medics arrive and apply CPR Drew enters what he calls the Realm of the dead . He tells us what he saw , where he went, and its like being inside someone else’s dream sequence .Here the parameters of time and the spacial are let loose . Drew is of course (he is here talking to us) miraculously brought back to life  but there are concerns in relation to brain damage due to lack of oxygen. BTW Drew at some point around here mentions,  that  he was a  medic working in palliative care at the time   , so he has an awareness of what is happening to him . He his taken to hospital and kept under observation ,where once again he suffers an second heart attack and dies again !!! Whilst flat- lining  he once again finds himself in the Realm of the Dead , talking to his ancestors and guardians walking through labyrinths and walled citadels before being brought back to this world of the living . Cynics and sceptics could argue that a brain staved of oxygen would produce such hallucinations but you kind of think that misses the point of such an incredible journey . The reality is that  Drew’s recovery   takes several years  during which time he dwells on his experience and how to convey what he felt and witnessed.  He builds his own large format camera from a biscuit tin and grinds  lens himself to get the effect that he wants to achieve . Now no longer working in the place of his former lives, he takes photographs  trying to recapture something of where he has been , goes to his shed and constructs model avenues and pathways which look like aerial images of neolithic sites and cities . I think everyone in the room is glad just to be there and maybe wondering where we go to when we  exit the land of the living .

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Drew Fox 

If this were show biz it would be case of how do you follow that but this is not Saturday night TV  entertainment and are not in that soothing blinkered  mind set. We are very much in the here and now with our thoughts drifting and dancing through the  shared space of a gallery and so  we   move onto a performance and film  by Emma Louvelle. From the onset its clear that this going to be a personal statement . I am at the back of the room and i can feel it in me. On the screen a solitary hand waves in the air catching the breeze cuts to solitary hand stirring a cup of tea ,another hand gently touches ,cuts to  hand  moving through soft green leaves ,someone is running  experiencing the sensation then a change , A wall and the same hand fist clenched tight scrapping along stone and brick , its difficult to watch but you can view a clip via  https://www.youtube.com/watch?v=7Maas0uM8wsmeanwhile

Emma talks and as she talks she moves , choreographed moments uniquely individual and expressive , the words come out short burst  between the shifting  movements  of her body and the flowing  film narrative unfolding  on the wall at times beautiful and tender  abruptly turning harsh and unsettling . In its totality it is wholly and breathtakingly mesmerising. There is rapturous applause but this is not entertainment this is the voice of one person  who happens to be an artist .

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Emma Louvelle

All this so far and more to come , we take a break and return to another breakout session. I opt for  a musical experience in the form of Joy of Sound . I enter a room of people sat in a circle each one holding an instrument , stringed and percussive from a range of cultures by the look , some look home made . I have to choose from a range of instruments and pick up a hybrid acoustic flying V guitar . Chris Leeds  leads the group  a mix of conference goers and around seven or eight music facilitators , we are all tuned to the same key signature and know the ground rules of when to start and stop . At the signal we start , a cacophony of sound and we are all enjoying  ourselves and making facial contact looking for the signals to change ,then we start to vocalise and this is where the magic starts to begin , we copy one sound one voice and with the aid of Chris and his facilitators begin to shape it within the musical rhythms we are creating , Your sound is my sound , my sound is your sound we are working together and letting go , It feels shamanic and ritualistic cutting through our conference reserve (I don’t think its an exclusively British thing ) the accumulation of ourselves and what we have experienced over the weekend . Unpacking and sharing  our voices rise and fall and when we come back down to earth we are ourselves again but seen and acknowledged . The conference is nearly over now , people have boats and planes and trains to catch . The close of a good weekend I decide to stay for the final session , A time to unwind a workshop lead by the artist Phil Baird based on the work of Scottie Wilson  . about half a dozen of us sit around adjoining  tables  chatting and doodling , its really pleasant and at the close we gather our individual pieces of work onto one table , smile and chat a little bit more before our last goodbyes and head for our destinations.

For more information on Joy of Sound visit https://joyofsound.org/

Form more information about Outside In visit http://www.outsidein.org.uk/#

 

 

 

 

 

 

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